Alienation in Contemporary Maori Society essays

Alienation in Contemporary Maori Society essays Contemporary Maori society has encountered difficulties in the absence of traditional Maori culture. Maori writers have emphasized alienation as a cultural and singular quandary within post settlement New Zealand. One such Maori writer, Witi Ihimaera, focuses on problems of contemporary Maori society in a number of his works. In the short story entitled, Big Brother, Little Sister, Ihimaera designs a Maori story replete with desperation and alienation that masks love, a corner post in traditional Maori society. In traditional Maori culture, the family was an integral part of the survival based on the clan's ability to cooperate and withstand a sundry assortment of tribulations ranging from agricultural issues to attacks by neighboring clans. By using love to contrast alienation the theme of abandonment is shown as a problem in contemporary Maori society. A sense of estrangement is first introduced in the first domestic scene of the story. The father and mother return after a night of drinking and after a fight about infidelities the father viciously beat his wife and daughter. After being battered the mother filled with fear, exclaims to the father, 'No, John, don't leave me. Don't.' This portrayal begins the departure from a traditional family to a contemporary one. In this encounter the two sides to the story are presented; by trying to protect their mother the children illustrated their love and devotion, the mothers' begging for her husband not to leave the mother's fear of alienation from male support is clearly shown. After these two sides are presented, the mother quickly establishes a trend; alienating her children in an effort to keep a male companion. The first example of this is illustrated shortly after the mother's lover, Uncle Pera moves in after the father leaves. Uncle Pera begins to dislike the children and grants them fewer liberties. At first, Uncle Pera forbids Janey to sleep with the mother. Eventually, the chi...

12 Book Marketing Mistakes Every Author Needs to Ban in 2019

12 Book Marketing Mistakes Every Author Needs to Ban in 2019 12 Book Marketing Mistakes to Ban in 2019 Since the birth of Reedsy, we've had the chance to work with thousands of authors, helping them get their books out there in the most professional possible form - and to sell them.For many authors, selling a book is even harder than writing it. But whether you're self- or traditionally published, learning to market and sell your work is a key factor in author success. In this post, our co-founder Ricardo Fayet shares the 12 most common marketing mistakes he's observed in the past few years.  To make sure you aren't tripped up by these common traps, read on... Which of the 12 most common book marketing mistakes did you make in 2019? #pubtips 1. You’re marketing to everyoneMost of the time, when I ask authors who their book is for, they’ll tell me about their genre: â€Å"It’s for teenagers who are into Fantasy,† for example. Or sometimes, I’ll get an age group: â€Å"It’s for middle-aged women.† It’s not uncommon to hear â€Å"everyone† either.There are two big problems with this. First, you’re setting unrealistic expectations. Unless you come up with the next Harry Potter, not every teenager will read your book. It’s much more likely that only an infinitesimally small portion of them will. Learn more about how Reedsy can help you craft a beautiful book.Which of these traps have you encountered while self-publishing? Or do you disagree, and think that they're not mistakes at all? Let us know what you think and share your experiences marketing your book in the comments below.